The Cinema and Media Studies Major and Minor
Major and Minor

For the most up-to-date information on the Cinema and Media Studies Curriculum, please visit the CAMS Catalog.
Goals for the Cinema and Media Studies Major
Students in the CAMS major will acquire knowledge of cinema and media as 1) technological objects, with an emphasis on the relationship between technological affordances and modes of cultural expression; and 2) as aesthetic objects, with an emphasis on the relationship between aesthetic form and questions of representation, intersectionality, and globalization.
By completing the two courses at the core of our major, CAMS 201 “Technologies of Cinema and Media,” and CAMS 202 “Aesthetics of Cinema and Media,” students will be equipped with the tools for a rigorous critical understanding of the history and theory of the diverse media that structure modern life. These two courses serve as stepping stones for all majors and minors and will guide students’ scholarly and creative pursuits and create a community of shared knowledge. Our core courses and seminars likewise follow an approach that privileges comparative media studies and examines different audiovisual practices as participating forces in a media ecology. Course goals for students who complete the CAMS major. In conjunction with CAMS 201, 202, an interdepartmental offering of elective courses, and production-focused courses, CAMS majors and minors will develop a set of skills for the critical analysis of cinema and media which reflect the program’s core values.
Skills:
- Cultivate a set of critical and analytical tools for the study of cinema and media, from formal analysis to research methods.
- Acquire a broad-based contemporary and historical knowledge of global media cultures, including an awareness of the cultural, political, and economic role of cinema and media in modern societies.
- Engage in creative practice and critical making through projects in photography, video, digital imaging, or screenwriting.
- Develop a critical awareness of the historical developments of film and media, their emergence and uses, their social, economic, and environmental impact.
Values:
- Social justice. CAMS courses address the history and legacy of colonialism and imperialism at work in the aesthetic, technological, and industrial genealogies of cinema, telegraphy, television, and digital media.
- Environmental justice. Students critically assess the carbon print of media technologies and industries on our societies at a global scale, from hardware to digital waste.
- Active agency in the fight against censorship, misinformation, and surveillance that affect media production and consumption.
- A shared sense of community, enhanced by a common curriculum, critical peer assessment and collective projects.
Requirements for the Cinema and Media Studies Major
The major in Cinema and Media Studies requires 10 units. Students can develop their expertise in the major by exploring topics from a combination of courses in Cinema/Media Studies, Screen writing and writing for television, Video/Media Production, as well as selected courses on film and media offered in other departments on campus. CAMS majors are encouraged to consult with their major advisor regarding transfer of credit from pre-approved study abroad programs.
Students who entered in Fall 2020 or prior are required to take the following:
1. CAMS 101 Introduction to Cinema and Media Studies
2. CAMS 201 Technologies of Cinema and Media
3. CAMS 202 Aesthetics of Cinema and Media
- ARTS 108/CAMS 138 Photography I
- ARTS 110 4D Design
- ARTS 165/CAMS 135 Introduction to Video Production
- CAMS 208/ENG 208 Writing for Television
- CAMS 234/ENG 204 The Art of Screenwriting
- AMST 245/CAMS 245 Speculative Media in the US since 1973
- AMST 254/CAMS 254 Carceral Cinema in the US
- ARTH 226/CAMS 207 History of Photography
- ARTS 208/CAMS 238 Photo II
- ARTS 221/CAMS 239 Digital Imaging
- ARTS 255/CAMS 255 Dynamic Interface Design
- ARTS 260/CAMS 230 Moving Image Studio
- ARTS 265/CAMS 235 Intermediate Video
- CAMS 100 Introduction to Media and Screen Cultures
- CAMS 106Y Ghostly Media
- CAMS 107Y Is Technology Evil?
- CAMS 203 Chinese Cinema
- CAMS 208/ENG 208 Writing for Television
- CAMS 210 Critical Histories of Computing: from Cybernetics to Social Media
- CAMS 218 Theories of Media from Photography to Internet
- CAMS 219 Ecological Approaches to Cinema and Media Studies
- CAMS 220 Decolonizing Film History
- CAMS 221 21st Century Documentary
- CAMS 222 Documentary Film and Media
- CAMS 225 From the Fairground to Netflix: Cinema in the Public Sphere
- CAMS 227 Television
- CAMS 233/JWST 233 American Jews and the Media
- CAMS 234/ENG 204 The Art of Screenwriting
- CAMS 246 Global Cinema in the 21st Century
- CAMS 261 African Cinema
- CAMS 286/GER 286 Fantasy Factories: Film and Propaganda in Nazi Germany and Beyond
- CAMS 277 Film Noir (formerly CAMS 292)
- MUS 275 Computer Music: Synthesis Techniques and Compositional Practice
- ARTS 308/CAMS 338 Photography III
- ARTS 313/CAMS 313 Virtual Form
- ARTS 365/CAMS 335 Advanced Projects in Lens-Based Media
- ARTS 366/CAMS 366 Advanced Projects in Film and Architecture
- CAMS 301 Surveillance Media
- CAMS 302 Media Archaeology
- CAMS 304 Being (Post)Human: Representing Subjectivity in the Digital Age
- CAMS 310 Film Festivals
- CAMS 314 Virtual Realities: Realism and Reality in the Digital Age
- CAMS 320 Sound as a Medium
- CAMS 324 Film Genres, Genre Films
- CAMS 327 CSPW Pub Writing Film & TV
Students entering the College in Fall 2021 and beyond are required to take the following:
1. CAMS 201 Technologies of Cinema and Media
2. CAMS 202 Aesthetics of Cinema and Media
- ARTS 108/CAMS 138 Photography I
- ARTS 110 4D Design
- ARTS 165/CAMS 135 Introduction to Video Production
- CAMS 208/ENG 208 Writing for Television
- CAMS 234/ENG 204 The Art of Screenwriting
- AMST 245/CAMS 245 Speculative Media in the US since 1973
- AMST 254/CAMS 254 Carceral Cinema in the US
- ARTH 226/CAMS 207 History of Photography
- ARTS 208/CAMS 238 Photo II
- ARTS 221/CAMS 239 Digital Imaging
- ARTS 255/CAMS 255 Dynamic Interface Design
- ARTS 260/CAMS 230 Moving Image Studio
- ARTS 265/CAMS 235 Intermediate Video
- CAMS 100 Introduction to Media and Screen Cultures
- CAMS 106Y Ghostly Media
- CAMS 107Y Is Technology Evil?
- CAMS 203 Chinese Cinema
- CAMS 208/ENG 208 Writing for Television
- CAMS 210 Critical Histories of Computing: from Cybernetics to Social Media
- CAMS 218 Theories of Media from Photography to Internet
- CAMS 219 Ecological Approaches to Cinema and Media Studies
- CAMS 220 Decolonizing Film History
- CAMS 221 21st Century Documentary
- CAMS 222 Documentary Film and Media
- CAMS 225 From the Fairground to Netflix: Cinema in the Public Sphere
- CAMS 227 Television
- CAMS 233/JWST 233 American Jews and the Media
- CAMS 234/ENG 204 The Art of Screenwriting
- CAMS 246 Global Cinema in the 21st Century
- CAMS 261 African Cinema
- CAMS 286/GER 286 Fantasy Factories: Film and Propaganda in Nazi Germany and Beyond
- CAMS 277 Film Noir (formerly CAMS 292)
- MUS 275 Computer Music: Synthesis Techniques and Compositional Practice
- ARTS 308/CAMS 338 Photography III
- ARTS 313/CAMS 313 Virtual Form
- ARTS 365/CAMS 335 Advanced Projects in Lens-Based Media
- ARTS 366/CAMS 366 Advanced Projects in Film and Architecture
- CAMS 301 Surveillance Media
- CAMS 302 Media Archaeology
- CAMS 304 Being (Post)Human: Representing Subjectivity in the Digital Age
- CAMS 310 Film Festivals
- CAMS 314 Virtual Realities: Realism and Reality in the Digital Age
- CAMS 320 Sound as a Medium
- CAMS 324 Film Genres, Genre Films
- CAMS 327 CSPW Pub Writing Film & TV
6. One additional CAMS course, which may be chosen from the list of core courses, the courses at the 300-level, as well as among the CAMS cross-listed and related courses.
updated 23 March 2023
Requirements for the Cinema and Media Studies Minor
The major in Cinema and Media Studies requires 6 units. Students are required to take the following:
1. CAMS 201 Technologies of Cinema and Media
2. CAMS 202 Aesthetics of Cinema and Media
- AMST 245/CAMS 245 Speculative Media in the US since 1973
- AMST 254/CAMS 254 Carceral Cinema in the US
- ARTH 226/CAMS 207 History of Photography
- ARTS 108/CAMS 138 Photography I
- ARTS 110 4D Design
- ARTS 165/CAMS 235 Introduction to Video
- ARTS 208/CAMS 238 Photo II
- ARTS 221/CAMS 239 Digital Imaging
- ARTS 255/CAMS 255 Dynamic Interface Design
- ARTS 260/CAMS 260 Moving Image Studio
- ARTS 265/CAMS 235 Intermediate Video Production
- CAMS 100 Introduction to Media and Screen Cultures
- CAMS 101 Introduction to Cinema and Media Studies
- CAMS 106Y Ghostly Media
- CAMS 107Y Is Technology Evil?
- CAMS 203 Chinese Cinema
- CAMS 208/ENG 208 Writing for Television
- CAMS 210 Critical Histories of Computing: from Cybernetics to Social Media
- CAMS 212 Global Hollywood and World Cinema
- CAMS 216 Creative Media Manipulation
- CAMS 217 Viral Media
- CAMS 218 Theories of Media from Photography to Internet
- CAMS 219 Ecological Approaches to Cinema and Media Studies
- CAMS 220 Decolonizing Film History
- CAMS 221 21st Century Documentary
- CAMS 222 Documentary Film and Media
- CAMS 225 From the Fairground to Netflix: Cinema in the Public Sphere
- CAMS 227 Television
- CAMS 233/JWST 233 American Jews and the Media
- CAMS 234/ENG 204 The Art of Screenwriting
- CAMS 246 Global Cinema in the 21st Century
- CAMS 261 African Cinema
- CAMS 270 Dark and Light of the Internet
- CAMS 286/GER 286 Fantasy Factories: Film and Propaganda in Nazi Germany and Beyond
- CAMS 277 Film Noir (formerly CAMS 292)
- MUS 275 Computer Music: Synthesis Techniques and Compositional Practice
- ARTS 308/CAMS 338 Photo III
- ARTS 313/CAMS 313 Virtual Form
- ARTS 365/CAMS 335 Advanced Projects in Lens-Based Media
- ARTS 366/CAMS 366 Advanced Projects in Film and Architecture
- CAMS 300/FREN 300 Apocalyptic Cinema
- CAMS 301 Surveillance Media
- CAMS 302 Media Archaeology
- CAMS 304 Being (Post)Human: Representing Subjectivity in the Digital Age
- CAMS 310 Film Festivals
- CAMS 320 Sound as a Medium
- CAMS 324 Film Genres, Genre Films
- CAMS 327 CSPW Pub Writing Film & TV