Christiane Baumgartner: Another Country
Marking the artist’s first major monographic museum exhibition in the United States, the Davis Museum at Wellesley College is pleased to present Christiane Baumgartner: Another Country, an in-depth introduction to and survey of the artist’s work at mid-career. Curated by Lisa Fischman, Ruth Gordon Shapiro ’37 Director at the Davis, the exhibition features 55-plus works completed within the last decade, including several of the magnificent monumental woodcuts—hand-carved blocks and hand-printed impressions—for which the artist is best known, along with photo-engravings, aquatints, and photogravures executed in series.
Baumgartner works at the intersection of old and new media to expand the conceptual and technical capacities of printmaking—to push beyond the traditional boundaries of the medium’s expectations and precedents. Sourcing images from cinema and television, or from her own photographs and videos, Baumgartner’s images defy print convention. Often monumental in scale, or undertaken in extended series, the work is about speed and transmission, about human sight and its elusive capture, about cultural memory and modes of representation.
Born in 1967 in Leipzig, Germany, Christiane Baumgartner worked as a skilled typesetter at a publishing house before entering the Hochschule für Grafik und Buchkunst Leipzig (Academy of Visual Arts Leipzig). During her school years, she founded Carivari Artist Press, and was an artist in residence at the Edinburgh Printmakers Workshop in Scotland. She began independent study with renowned graphic artist and wood engraver Karl-Georg Hirsch in Leipzig in 1997; that same year, she entered the Royal College of Art, London, where she completed her MFA in printmaking in 1999. She has since received many honors and awards, including the 2010 commission of Ladywood, an installation combining print and video elements, by the Birmingham Museum and Art Gallery in collaboration with The Art Fund, UK, and the 2011 commission of Illumination by the Schweizerische Graphische Gesellschaft in Zurich. From 2014 to 2016, Baumgartner was visiting professor for printmaking at the Academy of Visual Arts Leipzig. Her work is held in over 30 public collections worldwide, including the Albertina, Vienna; the Museum of Modern Art, New York; the Bibliothèque Nationale de France, Paris; and the Staatliche Museen zu Berlin. Baumgartner was recently awarded the prestigious Mario Avati Printmaking Prize by the Académie des Beaux-Arts, Paris, which staged her first solo exhibition in France in 2015. Baumgartner lives and works in Leipzig, where she has maintained a studio at the Leipziger Spinnerei since 1995.
A fully illustrated catalogue, published and distributed by Hirmer Verlag, contributes new scholarship on the artist. Essays by Claire C. Whitner, director of curatorial affairs and James A. Welu Curator of European Art at the Worcester Art Museum and the former assistant director of curatorial affairs and senior curator of collections at the Davis Museum, and Richard S. Field, retired curator of prints, drawings, and photographs at the Yale University Art Gallery, contextualize Baumgartner’s work in relation to German printmaking traditions; an interview with the artist by Lisa Fischman considers Baumgartner’s practice at mid-career.
Please note: Tickets are required for this special exhibition. General admission, $20; Wellesley College alumnae, $12. Senior discounts available. Free entry for all students with I.D., Wellesley College faculty and staff, Friends of Art members, Durant Society members, and children under 18. For more information and to purchase tickets, please visit www.theDavis.org
The exhibition and catalogue were realized with generous funding from the following:
Wellesley College Friends of Art at the Davis
The Kathryn Wasserman Davis ’28 Fund for World Cultures and Leadership
The Mildred Cooper Glimcher ’61 Endowed Fund
E. Franklin Robbins Art Museum Fund
Sandra Cohen Bakalar ’55 Fund
Betty B. McAndrew Art Museum Fund
Davis Museum and Cultural Center Program Endowed Fund
Constance Rhind Robey ’81 Fund for Museum Exhibitions
Courtesy Christiane Baumgartner and Alan Cristea Gallery, London, Christiane Baumgartner © VG Bild-Kunst Bonn e.V. 2018 / ARS, New York
Feb 12, Mar 11, Apr 8, May 13Stroller Tours
Spend an art-filled morning at the Davis strolling the galleries during this free guided tour. Designed for art lovers and their little ones. Join us for a different theme on the second Wednesday of each month from 10:15-11 a.m.Event Date:Wednesday, February 12, 2020 (All day)Event Date:Wednesday, March 11, 2020 (All day)Event Date:Wednesday, April 8, 2020 (All day)Event Date:Wednesday, May 13, 2020 (All day)
Apr 21, 12:45–1:45 PM
Feb 7–Jun 7Q20: Wellesley Faculty Artists
Q20 celebrates the inventive diversity of practices among faculty artists at the College, featuring works across media, including photography, painting, sculpture, book-arts, installation, video, sound, and transmedial making.Event Date:Friday, February 7, 2020 (All day) to Sunday, June 7, 2020 (All day)
Feb 19, Mar 18, Apr 15, May 20Mindful Meditation
Surround yourself with art, and experience present-moment awareness, in this 30 minute meditation session. Guided by Kotatsu John Bailes Roshi, the College’s Buddhist chaplain. Meet in in the Davis Lobby at 12:30 p.m.Event Date:Wednesday, February 19, 2020 (All day)Event Date:Wednesday, March 18, 2020 (All day)Event Date:Wednesday, April 15, 2020 (All day)Event Date:Wednesday, May 20, 2020 (All day)
Feb 7–Jun 7Making, Not Taking: Portrait Photography in the 19th Century
This exhibition recreates the environment of a 19th-century portrait studio with selections from the Davis’s collection of daguerreotypes, ambrotypes, cartes de visite, cabinet cards, and tintypes.Event Date:Friday, February 7, 2020 (All day) to Sunday, June 7, 2020 (All day)
May 2, 2 PM